ANDREW POTTER

The life of a monk is highly individualized as he has chosen to discard the constraints of the secular world, focusing his energies toward his belief that someday his body will transcend the human condition.

 

The first act in this process is the visual and spatial separation from the surrounding environment. A fabric screen accomplishes this goal, yet, by having the capacity to be manipulated, can still accommodate a subtle form of interaction with the environment through glimpses to the exterior as well as the opportunity for an artist to design and install this barrier. In addition to removal from the modern environment, monks also spend a majority of time reading, contemplating their faith, and building their relationship with god. By providing a variety of layers within the landscape, as well as a gentle folding of the ground plane, an ample selection of outdoor areas are provided for introspection or discussion. This fold further reinforces the monk’s perception of being removed from the secular plane as well as highlighting the hierarchy of the private chapel, enhancing the sense of order upon the plane of the monastery.

 

Monks have selected to live the entirety of their lives in a single environment, a fact that places an extreme importance on the diversity of space and circulation. Through the subtle layering of planes, a varied yet cohesive use of materials, and the freedom to choose one’s own path and thus one’s own experience, a lasting diversity is ensured.

 

The screen is the key element when attempting to create a heightened experience. When considering the screen it is important to acknowledge the object’s double meaning. The screen becomes an element that not only conceals the sacred activites of the monks, but showcases them as well. Ultimately, the screen grants abiguity and duality to the building as an object and as an experience.